It'll leave fans wanting more—and everyone else wondering what all the fuss is about.
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It
was February 2012. I had seven weeks off after my son was born, and
everything people had told me about not getting any sleep or not having
any extra time when you're at home with a newborn wasn't turning out to
be true. I had several hours free each day while he napped. I asked a
friend what I should read during that downtime.
"Have you heard about
Fifty Shades of Grey?" she asked. I hadn't. "Well, they're calling it 'mommy porn,' but everyone I know is reading it." Hmm.
I finished the entire
Fifty Shades trilogy shortly thereafter in just a few sittings. Early on I was unnerved by the similarities to
Twilight... until I learned how E.L. James' story was originally some sort of
Twilight fanfic... and then it all made sense. James is a horrendous writer, but
—like Stephenie Meyer before her
—she's
at least an intriguing storyteller. I was curious enough to learn what
would become of kinky billionaire Christian Grey and his air-head
"girlfriend" Anastasia Steele that I saw the trilogy through despite my
shame at reading something that was so awfully written. Less than a
month later, the book visited me again via the
cover of the Entertainment Weekly that arrived on my doorstep. A movie was in the works.
And
now, three years later, that movie has arrived. I can't say I liked the
novels, but I have friends who could be classified as
super-rabid-crazy-obsessed fans. For their sake, I was hoping that
director Sam Taylor-Johnson (
Nowhere Boy) did Christian and Ana (and their, um, unusual relationship) justice. And I believe that she did.

Actually, it was likely a combination of Taylor-Johnson and screenwriter Kelly Marcel (
Saving Mr. Banks)
that saved the film from becoming a complete laughingstock. While they
chose to keep in the majority of fan-favorite quotes and scenes from the
book, gone are the absolute worst, most grating, and most disturbing
parts. Which means film-only audiences will never know of the
ultra-annoying "inner goddess" who dominates Anastasia's thoughts and is
constantly, constantly yapping. Only once will they be subjected to a
silly exclamation from Ana that starts with "Holy." They will see a very
watered-down version of Christian the Mentally Abusive Control Freak;
he comes off as a stalker in his pursuit of Ana, sure—but she's much
more empowered in the adaptation.
However, the problem with taking out such big parts of the book is that you've got to replace them with
something or there's just not much left to fill two hours. That's the biggest issue with
Fifty Shades of Grey:
it's about a recent college grad falling for a troubled, rich-as-hell
businessman five years her senior who wants her to sign a contract to
become his "submissive" in a
BDSM
relationship. The contract becomes the focus of the plot, which makes
zero sense because 1) despite Christian (Jamie Dornan) claiming he
"doesn't do romance," he makes almost all grand gestures associated with
courtship, and 2) they sleep together, both in and out of his
"playroom" without Anastasia (Dakota Johnson) ever signing the contract.
What?!?
Knowing what happens in the next two novels, I'm
surprised Johnson and Marcel didn't decide to tease a bit more of the
trilogy's larger mysteries. Because honestly the whole contract thing
became totally pointless.
So it came down to whether or not the leads could carry the film despite the weak plot. I just finished a two-season binge of
The Fall,
the Netflix series in which Dornan plays a serial killer. (It will 100%
give you nightmares, but it's fantastic.) Because of that series, there
was no doubt in my mind that Dornan is an incredible actor. In fact,
some might argue that his character in
The Fall has many things in common with Christian Grey. However, in
Fifty Shades,
his performance took a backseat to Johnson's. Perhaps that was
intentional. Perhaps he was just supposed to show up and look good. Perhaps
there didn't need to be any more to his character than the fact that he
was a brooding billionaire with a kinky side. Lord knows the majority
of female characters these days are one-note. If there was anything that
made it tough for me to buy him as Christian, it was how he seemed to
be struggling to contain his Irish accent.
As for Dakota Johnson, I
knew nothing about her going into the film, except that she's Melanie
Griffith and Don Johnson's daughter. I didn't see that in her looks, but
man was it there when she opened her mouth. She's got her mom's same high,
breathless voice. In an early scene where she first meets Christian, she
trips and falls into his office and acts all doofus-embarrassed I was
like, "Oh sweet jesus this is going to be
awful." But she won
me over not too long after that during a scene where Ana drunk-dials
Christian from a bar. It was genuinely funny, and the fact that she was
able to maintain a tricky balance of naivety, lightness and "I may be
young but I wasn't born yesterday" tough-headed-ness
—especially
in a surprisingly humorous "negotiation" sequence where Ana strikes
certain sexual acts from the aforementioned ridiculous contract
—made the film's darker ending more powerful. And though the chemistry between Johnson and Dornan doesn't equal that of, say, a "
Robsten" (who were dating in real life, remember), it is there.

Are
you being like I was when I read the first book and wondering, "Where's
all the sex?" Rest assured that there are sex scenes, and quite a few
of them, but something tells me that the series' fans are going to be
left disappointed on this front. Tune in to
Game of Thrones any given Sunday and you'll find more freakiness that you're going to get between the film versions of Christian and Ana.
I was prepared to be just as embarrassed to admit I enjoyed
Fifty Shades of Grey the movie as I was to admit I'd read the
Fifty Shades
trilogy. But the truth is that it's just not the horrible B-movie we
were all expecting it to be. It's heavy on escapism,
lighter-than-expected on sex and pretty much non-existent in plot, but I
had fun watching it. And that's more than I can say about the majority
of plot-challenged, testosterone-fueled, badly acted shoot-'em-up movies
I've seen over the years. If this is what's meant by a "girls' night
out" movie, I say bring it on.