Friday, June 03, 2016
The story revolves around Louisa Clark (Game of Thrones' Emilia Clarke), who mostly goes by her last name in the film. She's a young woman with no real ambitions who's desperate for a job because she's pretty much supporting her entire extended family. Despite her circumstances, however, she is impossibly upbeat and expresses this through outrageous outfits that look like something the four-year-old girls in my son's pre-k class would pick out. I felt like Moyes went overboard on the Quirky Scale with Clark's character in the book, so it annoyed me even more to see all of her weird clothes and shoes brought to life on the big screen.
Clark needs a job and ends up becoming the latest in a long line of caretakers for Will Traynor (The Hunger Games' Sam Claflin, well cast), who had everything anyone could ever dream of... all before being hit by a motorcycle. Now he's a quadriplegic and extremely, extremely bitter. His crazy-rich parents (Janet McTeer and Charles Dance, also perfectly cast)—they literally live in a castle—are beside themselves and are putting no small amount of pressure on Clark to convince Will that life is still worth living.
You can already guess what happens: little by little, Clark is able to break down Will's walls with her never-ending positivity and relentlessness, and they eventually fall for each other. (It didn't hurt that Clark's boyfriend throughout most of the story is a self-centered buffoon.) One thing Moyes got right with the screenplay is that she dropped two dark subplots that were in the book—one about Will's parents and the other about Clark's past. Minor characters like Will's sister are also gone, so the focus is almost entirely on Clark and Will's changing relationship.
Which leads us back to Clark and her uber-optimism. I did not have a problem with it in and of itself because I, too, try to convince others that the glass is half full more than I probably should. What I couldn't get over was Emilia Clarke's facial expressions. Girlfriend has some CRAZY eyebrows that work for her as the Mother of Dragons, but that almost took on a life of their own in this film. Clarke is an actress who acts with her entire face, which would be refreshing if it weren't so distracting in this particular case. If you go to this movie and are not bothered whatsoever by the many ways Clarke's eyebrows can move, I salute you. But to me it came off like she was trying too hard, almost like she wanted to go overboard with being animated in order to make people forget about her steely Game of Thrones character. It often ruined what should've been a somber or touching scene. Claflin, however, was exactly how I pictured Will would be, and was able to pull off both Will's biting wit and repressed rage.
I want to be clear that I'm not saying Clarke was an awful actress in this film, but I do think she was miscast and too enthusiastic with her facial expressions at key points. Her performance came off as cheesy in those scenes, which were usually accompanied by an aggressive, intrusive song off of the film's soundtrack. Luckily there weren't too many of these moments, but I must still forewarn my fellow book fans to set their expectations accordingly.